Angkor Cambodia
>>
Banteay Srey
"The
Citadel of the women"
The tenth century temple of Banteay Srei is
renowned for its intricate decoration carved in
pinkish sandstone that covers the walls like
tapestry. This site warrants as much time as
your schedule allows. The roads have been
recently repaired and it takes about 30 minutes
from Siem Reap to get to the temple. To reach
Banteay Srei, follow the main road north out of
Siem Reap, turn right at Angkor Wat and follow
the road to Srah Srang where you turn right past
Preah Rup. At the East Mebon there is a check
post where you need to obtain clearnce. Turn
right again at the road before the East Mebon;
pass through the village of Phoum Pradak, where
there is a junctions (if you continue straight,
after about 5 minutes, you will reach Banteay
Samre). At this point, you come to a fork; take
the road on the left and follow it to Batneay
Srei which you will reach shortly after crossing
two rivers - on your left hand side.
Banteay Srei is an exquisite miniature; a fairy
palace in the heart of an immense and mysterious
forest; the very thing that Grimm delighted to
imagine, and that every child's heart has
yearned after, but which mature years has sadly
proved too lovely to be true. And here it is, in
the Cambodian forest at Banteay Srei, carved not
out of the stuff that dreams are made of, but of
solid sandstone.
Location: 25 kilometers (15.5
miles) north-east of East Mebon
Access: enter and leave the temple by the east
entrance
Date: second half of the 10th century (967)
King: Rajendravarman II (reigned 944-968) and
Jayavarman V (reigned 968-1001)
Religion: Hindu (dedicated to Shiva)
Art style: Banteay Srei
Background
The enchanting temple of Banteay Srei is nearly
everyone's favorite site. The special charm of
this temple lies in its remarkable state of
preservation, small size and excellence of
decoration. The unanimous opinion amongst French
archaeologists who worked at Angkor is that
Banteay Srei is a 'precious gem' and a 'jewel in
Khmer art'. Banteay Srei, as it is known by
locals, was originally called Isvarapura,
according to inscriptions. It was by a Brahmin
of royal descent who was spiritual teacher to
Jayavarman V. Some describe it a s being closer
in architecture and decoration to Indian models
than any other temple at Angkor. A special
feature of the exquisite decoration was the use
of a hard pink sandstone (quartz arenite) where
enabled the 'technique of sandalwood carving
with even an Indian scent to it'.