Angkor Cambodia
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Chau Say Tevoda
Two
symmetrical shrines, Thom Manon and Chau Say _
alike in design and structure and twins also in
ruin.
Chau Say Tevoda is located in
east of the Gate of Victory of Angkor Thom,
across the road south from Thommanon, 500metres
(1,640feet) off the road. A enter and leave Chau
Say Tevoda by the north entrance. It was built
in the end of the 11th century-first half of the
12th century by king Suryavarman II in Hindu
with following Angkor Wat style art.
Background
Chau Say Tevoda and Thommanon are two small
monuments close together (on the left and right
sides of the road) and similar in plan and
style. Although the precise dates of these
monuments are unknown, they belong to the best
period of classic art stylistically and
represent two variations of a single theme of
composition. Chau Say Tevoda has deteriorated
more than Thommanon.
Layout
Chau Say Tevoda is rectangular in plan, with a
Central Sanctuary opening to east, an enclosing
wall with an entry tower in the middle of the
enclosing wall at the east entrance.
Walking towards the ten\mple one can see traces
of a moat and vestiges of a laterite base of an
enclosing wall.
Entry
Towers
The entry towers (1) are mostly demolished
except for traces of the bases and stair ways
with sculpted steps. A raised causeway (3) on
three rows of octagonal supports (later than the
monument) and a terrace link the east entry
tower to a nearby river to the east.
Pediments
At the south of the passage a
scene depicts the combat of Sugriva and Vali, at
the north of the passage (East Side) the reliefs
include monkeys, Siva and Parvati on a bull, and
apsaras.
Central Sanctuary
A
long room with a porch (4) precedes the square
Central Sanctuary (5) connecting it with the
east entry tower by a passage raised on three
rows of columns of which only traces remain.
This long room is covered with a pattern of
flowers inscribed in squares and sculpted with
stone flowers such as are seen at Banteay Srei
and Baphuon. The three false doors of the
Central Sanctuary are decorated with foliage and
columns with diamond-shaped patterns (lozenges)
and flowers (on the left); human figures
accentuate some of the bands of foliage in the
columns.