Angkor Cambodia
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Phimeanakas "Aerial Palace"

Location:
Phimeanakas is located inside the enclosure of
the Royal Palace of Angkor Thom north of Baphuon
(see map page 80).
Access:
Phimeanakas can be reached on foot either from
Prah Palilay or from the Terrace of the
Elephants. Pass through the gap in the south
side of the enclosing wall of Prah and walk
straight for about 200 meters (656 feet);
turn left to the east and right at the first
path, then follow it until you reach the temple.
Or walk across the Terrace of Elephants at the
entrance closest to the Victory Gate road and
walk through an entry tower; then follow the
path until you reach the temple. Alternatively,
return to the main road beside the Terrace of
the Leper King, turn right and turn right again
on the first road, then drive straight to the
monument. Enter Phimeanakas from the east
entrance. It is possible to leave by the south
gate and walk through a space in the enclosing
wall to the east entrance of the Baphuon.
Tip: for those
who want to climb to the Central Sanctuary, use
the west stairway, which is in the best
condition.
Date: Late tenth century-beginning of the 11th
century
Kings: Jayavamen V and Udayadityavarman I
Religion: Hindu
Art style: Kleng
Background
The temple of
Phimeanakas is situated near the center of the
area enclosed by the walls of the Royal Palace.
It must originally have been crowned with a
golden pinnacle, as Zhou Daguan described it as
the Tower of Gold The temple is built of roughly
hewn sandstone blocks and has little
decoration.
According to
legend there was a gold tower (Phimeanakas )
inside the royal palace of Angkor the Great
where a serpent-spirit with nine heads lived.
The spirit appeared to the Khmer king disguised
as a woman and the king had to sleep with her
every night in the tower before he joined his
wives and concubines in another part of the
palace. If the king missed even one night it was
believed he would die. In this way the royal
lineage of the Khmer was perpetuated.
Layout
The general
plan of Phimeanakas is rectangular. the temple
originally consisted of a Central Sanctuary on a
tiered base and an enclosing wall. The grounds
around the sanctuary included several courts and
ponds.
A laetrile
wall encloses the temple and a second enclosing
wall was built at a later date. Next there is a
dry moat. The sandstone entry tower at the east
is in the shape of a cross with two wings; the
lintels have a central motif of a head of a Kala
and the window frame is inscribed. These
features are not shown on the plan.: eave the
tower and walk towards the main sanctuary. On
the right (north) there is a pond with molding
and laetrile steps. It may have been a part of
the palace reserved for woman. Return to the
center walkway; after leaving the entry tower
turn right and follow a path until you come to
another large pond paved in laterite with
sandstone steps. It was bordered by two
stairways with bas0reliefs-along the side there
are serpents in animal and human form surrounded
by serpent-princesses; on the top there are male
and female Garudas and mythical winged figures.
This entire area was probably crowned by a
serpent balustrade and may have served as a
gallery for the sovereign and dignitaries of the
court. It is separated from the north-enclosing
wall by paved causeways and from another pond on
the east.
Central Sanctuary
The single
sanctuary is on a base with three laterite
tiers. It is approached by four steep
stairways, one on each side (1). these stairways
are framed by walls with six projections- two
per step –decorated with lions. Elephants once
stood on sandstone pedestals in the corners of
the base but today they are mostly broken.
Upper
Terrace
The upper
terrace affords a spectacular view of the
neighboring temple of Baphuon. A narrow covered
sandstone gallery (2) with windows and balusters
at the edge of the upper terrace is a unique
architectural feature. There were small
pavilions at the corners but only vestiges
remain.